蟠龙追剧网

简介：该片讲述了:而有趣的是，正是这一点遭√到了德国就☐☠等欧洲诸国的电影记☶者的抨击：德国电视剧不♠好好创作自己的故☏事，而是模仿国际畅☐☠销作品的模式，♦✆好莱坞那些东西怎么能照搬✒到欧洲，尤其是以严谨、优✒☯雅著称的的德国、英♧国来呢?尽管✂✃如此，《止于明☯☢日》还是获得了极大的关✃☑注，因其结合了喜剧、☝剧情和侦探等元✘素而广受好评。Scors☳ese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.